Mr. DeMille, I'm ready for my close up.
| Mr. DeMille, I'm ready for my close up. | |
| Created by: | spectacularview |
| Tracks: | 19 |
| Length: | 00:50:26 |
| Keywords |
1. Movies 2. Soundtracks 3. Awesome roommates |
| Created on | 2/28/08 3:39pm |
| Level | 5 |
| Points | 2487 |
| Total visitors | 52 |
| Unique visitors | 29 |
description:
My roommate is my favorite person. She is fun and clean and doesn't annoy me. Last night we both got really drunk and puked. Consequently I've spent today in bed making a mix for her. She's a film student, so this mix is a compilation of great songs that always without fail will remind you of the great movies they were in. I also included sound clips from old movies throughout the mix and I really like the way it sounds.
tracklist
| 1 | Audrey Hepburn : The Mean Reds |
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Holly Golightly: "Listen, you know those days when you get the mean reds?" Paul "Fred" Varjak: "Mean reds? You mean like the blues." Holly: "No, the blues are because you're getting fat or maybe its been raining too long. You're just sad that's all. The mean reds are horrible. Suddenly you're afraid and you don't know what you're afraid of. You ever get that feeling?" Fred: "Sure." Holly: "When I get it the only thing that does any good is to jump in a cab and go to Tiffany's. Calms me down right away." SHOW MORE
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Track 1 from Breakfast at Tiffany's
Length: 00:00:31 Year: 1961 |
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Track Description:
Holly Golightly: "Listen, you know those days when you get the mean reds?" Paul "Fred" Varjak: "Mean reds? You mean like the blues." Holly: "No, the blues are because you're getting fat or maybe its been raining too long. You're just sad that's all. The mean reds are horrible. Suddenly you're afraid and you don't know what you're afraid of. You ever get that feeling?" Fred: "Sure." Holly: "When I get it the only thing that does any good is to jump in a cab and go to Tiffany's. Calms me down right away." SHOW LESS
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| 2 | Audrey Hepburn : Moon River |
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This is one of my favorite scenes from Breakfast at Tiffany's. I heard that it was almost cut from the movie, but I've always thought that it was really important to developing that character.
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Track 2 from Music from the Films of Audrey Hepburn
Length: 00:02:02 |
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Track Description:
This is one of my favorite scenes from Breakfast at Tiffany's. I heard that it was almost cut from the movie, but I've always thought that it was really important to developing that character. SHOW LESS
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| 3 | Gloria Swanson : I'm Ready for My Close Up |
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Norma Desmond: "You see, this is my life. It always will be! Nothing else. Just us, the cameras, and those wonderful people out there in the dark. Alright Mr. DeMille, I'm ready for my close up."
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Track 3 from Sunset Boulevard
Length: 00:00:19 Year: 1950 |
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Track Description:
Norma Desmond: "You see, this is my life. It always will be! Nothing else. Just us, the cameras, and those wonderful people out there in the dark. Alright Mr. DeMille, I'm ready for my close up." SHOW LESS
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| 4 | Beck : Everybody's Gotta Learn Sometime |
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The last song in a movie is one that tends to stay with you, but this one especially so for me.
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Track 4 from Eternal Sunshine of the Spotless Mind soundtrack
Length: 00:05:54 |
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Track Description:
The last song in a movie is one that tends to stay with you, but this one especially so for me. SHOW LESS
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| 5 | Damien Rice : The Blower's Daughter |
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This song was soo perfect in Closer. I don't think any other song would have made such an impression. Can anyone hear this song without thinking of the movie?
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Track 5 from 0
Length: 00:04:44 Year: 2003 |
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Track Description:
This song was soo perfect in Closer. I don't think any other song would have made such an impression. Can anyone hear this song without thinking of the movie? SHOW LESS
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| 6 | Gary Jules : Mad World |
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I woke up in the middle of the night a few days ago with this song in my head. It was really bizarre because I haven't heard it or even really thought about Donnie Darko in a long time, but this is definitely one of those songs that brings the movie flooding back when you hear it.
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Track 6 from Trading Snakeoil For Wolftickets
Length: 00:03:06 Year: 2004 |
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Track Description:
I woke up in the middle of the night a few days ago with this song in my head. It was really bizarre because I haven't heard it or even really thought about Donnie Darko in a long time, but this is definitely one of those songs that brings the movie flooding back when you hear it. SHOW LESS
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| 7 | Carol Coombs : You like Every Boy |
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Little Violet Bick: "I like him" Little Mary Hatch: "You like every boy." Little Violet Bick: "What's wrong with that?" SHOW MORE
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Track 7 from Its a Wonderful Life
Length: 00:00:04 Year: 1946 |
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Track Description:
Little Violet Bick: "I like him" Little Mary Hatch: "You like every boy." Little Violet Bick: "What's wrong with that?" SHOW LESS
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| 8 | Diane Keaton : Seems Like Old Times |
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Annie Hall is my favorite movie of all time. I love both scenes where Diane preforms, but this one especially. What an incredible character! I've always had a fantasy of singing a song like this in a smokey little club, but I'm probably too short.
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Track 8 from Annie Hall
Length: 00:02:25 Year: 1977 |
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Track Description:
Annie Hall is my favorite movie of all time. I love both scenes where Diane preforms, but this one especially. What an incredible character! I've always had a fantasy of singing a song like this in a smokey little club, but I'm probably too short. SHOW LESS
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| 9 | Stealers Wheel : Stuck in the Middle With You |
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I defy you to tell me you can hear this song without thinking of Mr. Blond cutting that poor fucking cop's ear off. Too good.
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Track 9 from Reservoir Dogs
Length: 00:03:24 Year: 1992 |
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Track Description:
I defy you to tell me you can hear this song without thinking of Mr. Blond cutting that poor fucking cop's ear off. Too good. SHOW LESS
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| 10 | Otis Redding : Try A Little Tenderness |
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How could Andie Walsh not want to be with Duckie after his incredible lip syncing performance of this song in Pretty in Pink?!? I'll always love you, Duckie.
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Track 10 from The Very Best of Otis Redding
Length: 00:02:58 Year: 1992 |
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Track Description:
How could Andie Walsh not want to be with Duckie after his incredible lip syncing performance of this song in Pretty in Pink?!? I'll always love you, Duckie. SHOW LESS
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| 11 | Jimmy Stewart : I'll Give You the Moon |
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George Bailey: "What is it you want Mary? What do you want? You want the moon? Just say the word and I'll throw a lasso around it and pull it down. Hey, that's a pretty good idea. I'll give you the moon, Mary"
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Track 11 from Its a Wonderful Life
Length: 00:00:12 Year: 1946 |
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Track Description:
George Bailey: "What is it you want Mary? What do you want? You want the moon? Just say the word and I'll throw a lasso around it and pull it down. Hey, that's a pretty good idea. I'll give you the moon, Mary" SHOW LESS
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| 12 | Nico : These Days |
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I am slightly obsessed with Wes Anderson and everything he does. Even though I was obsessed with Nico first, this song always makes me think of the scene in The Royal Tananbaums when Margot gets off the bus.
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Track 12 from Chelsea Girl
Length: 00:03:33 |
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Track Description:
I am slightly obsessed with Wes Anderson and everything he does. Even though I was obsessed with Nico first, this song always makes me think of the scene in The Royal Tananbaums when Margot gets off the bus. SHOW LESS
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| 13 | The Verve : Bittersweet Symphony |
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Even though Cruel Intentions isn't one of my favorite movies the scene where this song is playing and Sebastian is standing at the top of the escalator is so intense. Gives me the chills. It does you too, don't bother to denying it.
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Track 13 from Urban Hymns
Length: 00:05:58 Year: 1997 |
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Track Description:
Even though Cruel Intentions isn't one of my favorite movies the scene where this song is playing and Sebastian is standing at the top of the escalator is so intense. Gives me the chills. It does you too, don't bother to denying it. SHOW LESS
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| 14 | The Jesus and Mary Chain : Just Like Honey |
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The last scene in Lost in Translation is arguably my favorite. Even though I'll never know what exactly it is that he whispered to her, when this song started to play it was all over for me.
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Track 14 from Psychocandy
Length: 00:03:03 Year: 1985 |
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Track Description:
The last scene in Lost in Translation is arguably my favorite. Even though I'll never know what exactly it is that he whispered to her, when this song started to play it was all over for me. SHOW LESS
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| 15 | Vivien Leigh : I Oughta Go there on a Rocket |
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Blanche DuBois: Oh how pretty the sky is! I 'oughta go there on a rocket that never comes down. Which way do we go now Stella? This way? Stella Kowalski: "No, hun. This way." SHOW MORE
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Track 15 from A Streetcar Named Desire
Length: 00:00:13 Year: 1951 |
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Track Description:
Blanche DuBois: Oh how pretty the sky is! I 'oughta go there on a rocket that never comes down. Which way do we go now Stella? This way? Stella Kowalski: "No, hun. This way." SHOW LESS
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| 16 | Bob Dylan : Things Have Changed |
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Wonder Boys is definitely up in my top ten favorite movies. Bob Dylan wrote this song for the movie and I've always liked it. Its probably just because the movie is so good...
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Track 16 from Wonder Boys: Music from the Motion Picture
Length: 00:03:04 Year: 2000 |
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Track Description:
Wonder Boys is definitely up in my top ten favorite movies. Bob Dylan wrote this song for the movie and I've always liked it. Its probably just because the movie is so good... SHOW LESS
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| 17 | Elliott Smith : Miss Misery |
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I've used this song in a mix before, but its too good to leave out here. Another "last scene" song, but its such a good one.
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Track 17 from Good Will Hunting: Music From The Miramax Motion Picture
Length: 00:03:12 Year: 1997 |
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Track Description:
I've used this song in a mix before, but its too good to leave out here. Another "last scene" song, but its such a good one. SHOW LESS
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| 18 | Peter Gabriel : In Your Eyes |
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Lloyd Dobler with a boom box. 'Nuff said.
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Track 18 from Say Anything Soundtrack
Length: 00:05:23 Year: 1989 |
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Track Description:
Lloyd Dobler with a boom box. 'Nuff said. SHOW LESS
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| 19 | John Cusack : Gives Me Hope |
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Partier: "God. Listen, I, I, I wanted uh, I don't know you very well, you know? But I just, I wanted to ask you.. how, how did you get Diane Court to go out with you?" Lloyd Dobler: "I called her up." Partier: "But how come it worked? I mean, like what are you?" Lloyd: "I'm Lloyd Dobler." (long pause) Partier: "This is great! This gives me hope! Thanks!" Lloyd: "Alright." SHOW MORE
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Track 19 from Say Anything
Length: 00:00:21 Year: 1989 |
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Track Description:
Partier: "God. Listen, I, I, I wanted uh, I don't know you very well, you know? But I just, I wanted to ask you.. how, how did you get Diane Court to go out with you?" Lloyd Dobler: "I called her up." Partier: "But how come it worked? I mean, like what are you?" Lloyd: "I'm Lloyd Dobler." (long pause) Partier: "This is great! This gives me hope! Thanks!" Lloyd: "Alright." SHOW LESS
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